Natchez, Mississippi is a small
town that has literally been frozen in time. The streets are lined with homes and
buildings that were built before the Civil War. Every March there is a citywide
festival known as the Spring Pilgrimage. For several weeks, people come from
all over the world to tour homes and learn about the history of the American
south. While this type of the event is not uncommon for historical towns,
Natchez has one attraction that sets it apart from the others. That’s Mammy’s
Cupboard.
Mammy’s Cupboard is a restaurant
near Highway 61 that was built in the shape of the plantation “mammy.” The
restaurant is set inside her giant red skirt while the rest of her body is sitting
on top of the roof. (There’s a link to a picture at the bottom of the page) I’m
sure I don’t have to tell you what is wrong with this image. For so long, it
has been deemed acceptable for this restaurant to continue business. In
Natchez, she is not considered weird or out of place, she is simply another part
of life; another tourist attraction.
I guess the restaurant does not
seem to bother Natchezians because their economy is partially dependent
on pre-civil war and civil war-related attractions. And for most residents, Mammy’s
Cupboard has been around longer than they have (it was built in the 1940’s).
What is concerning, though, is the lack of surprise or questioning from
outsiders. Blogs and newspapers do not express outrage. Instead, one writer
described the restaurant as “a startling icon along today’s politically correct
icons—one of those “Did I really see what I think I saw” images.” Food reviews
complement the restaurant on it’s uniqueness, quirkiness, and great food.
People are not disturbed by the fact that they are eating inside the skirt of a
slave.
Over the years, Mammy’s skin color has
changed from dark brown to a lighter color. Some suggest it is “a tacit
acknowledgement by the owners that the dark skin was at best inappropriate, and
worse, an offensive reminder of the not-too-distant past.” While that may have
been the goal, the owners missed their mark. Mammy is still obviously not
white, and it is still very clear what her position is supposed to be.
I have several questions surrounding this place of business. 1) Why do you think when outsiders see this restaurant for the
first time, many do not find it out of the ordinary? 2) If you were driving
down the road and came upon Mammy’s Cupboard, what would be your initial
reaction? 3) Do you think the existence Mammy’s Cupboard is ok because she represents
a part of local and southern history, or is there a better way to tell the
story? What’s the better way?
http://eccentricroadside.blogspot.com/2010/10/cruising-down-mammy-lane-mammys.html
After looking at the linked images I am in complete agreement, the image of "Mammy" is so ridiculously inappropriate it is outrageous. Even those with the simplest understanding of this countries history should be able to reorganize this building for what it truly is, a blatant characterization of slaves as submissive happy Negros. Knowing the outrage made in regards to other iconic Mississippi symbols like Colonel Reb, it must take jaded mind to fully comprehend how an outdated Uncle Tom image of African Americans is still such a prom anent symbol within any community. I cannot begin to understand the ignorant justification for such a spectacle.
ReplyDeleteI agree with Matthew. While the town's economy may primarily be sustained as a pre-Civil War tourist attraction, there are some things that should not be kept as part of the history. The fact that they tried to change the pigment of the figure's skin shows that they realize that there is a racial connotation, however a mere cosmetic change does not make the figure socially acceptable. I liked Matthew's point about Colonel Reb as it shows that there is a backlash against idealizing a history that was very harsh for many Americans. I do not think that this restaurant should be able to keep this image in any regard. While it is quaint and draws people in, it does so at the expense of being a symbol of racism.
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