Over the past century, we as a
society have formed a very distinct definition of what constitutes an “American
Hero.” These are men and women who have made profound sacrifices for fellow
countrymen, selflessly risking their reputation, and sometimes their lives, in
the pursuit to do what is right and just. For this reason, names like Martin
Luther King, Jr., Bayard Rustin and Philip Randolph stand out as notable
American heroes within the civil rights movement for they made the difficult
decisions; they took a stand against an oppressive system of racial inequality
despite knowing that their choices could come with bold consequences. Without
question, all three men played integral parts in fights against segregation and
the push for African-American rights, but unfortunately their achievements tend
to overshadow some of the other individuals who sacrificed in other ways,
people like the renowned black artist, Sam Cooke. Cooke, known by many as the
King of Soul, blew up the Billboard music charts, filling radios with
light-hearted melodies that made the singer a musical icon. Although many
credit him with helping to bridge the cultural divide between white and blacks,
others fail to recognize just how risky some of Cooke’s songs actually were,
for when you take a closer look at the single A Change Is Gonna Come one will see that Cooke was more than a
musician, he was a voice of change.
This year marks the 50th
anniversary of that song, seeing that it was released on March 1, 1964, but to
this day the song’s melody is just as sweet as it was when Cooke laid down the
first tracks. But, as biographer Peter Guralnick noted in an interview with
NPR’s Arun Rath, A Change Is Gonna Come
marked a real stepping stone in Cooke’s career: “‘A Change Is Gonna Come’ was a real
departure for him in the sense that it was undoubtedly the first time that he
addressed social problems in a direct and explicit way.” As Guralnick notes,
this step fell right in line with Cooke’s moral attitude. Despite being one of
America’s most popular pop singers with both white and black audiences, Cooke
still found himself turned away from hotels and establishments that were for
whites only. Incidents like these are what inspired Cooke to write A Change Is Gonna Come and to perform
other pro-civil rights songs like Bob Dylan’s Blowin’ In The Wind. Risking the loss of his white listeners who
didn’t want to be reminded of what was seen as America’s Negro problem, Cooke
released the song with the Album “Ain’t That Good News.” Commenting on Cooke’s
life, Rath notes, “the last thing Sam Cooke wanted was to alienate his [white]
audience. But …he could not ignore moral outrage right in front of him.” When
looking at the people responsible for the civil rights in America we cannot
ignore people like Cooke, artists who cared more about their race than their
fame.
To listen to the story form NPR and Cooke’s music visit:
As far ac including people into the category "American Hero" is concerned i believe that people who acted in similar ways like Cooke, in any situation, are without a doubt in that category. Being a hero in that sense is all about standing up for what you believe in regardless of the consequences and when cooke chose to alienate part of his white audience he did just that.
ReplyDeleteThat is why it is so important for classes like this to exist. Before college, we learned about the civil rights movement as a time frame of peaceful sit-ins and marches lead by Martin Luther King. There are so many activists and heros that are completely neglected because they don't fit into the master narrative. It is unfair to their memory, and it is also unfair to us as students. All types of people participated in the movement and the all deserve some sort of recognition.
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